In the second film, guess what? Samantha's breast cancer, for example, showed not only how scary and sad cancer obviously is, but also how boring, sweaty and plain inconvenient it is, too. And speaking of Manhattan, the only ethnic minorities you see there are waiting behind counters to sell the women expensive handbags. The difference between how the women's jobs are portrayed in the TV show and the films is perhaps the best example of how low the latter have sunk. This rule was repeatedly proven in the TV series of Sex and the City as the weakest episodes always involved the women leaving New York two forays to California, one to Atlantic City and it is roundly proven here because the film-makers' knowledge of the Middle East begins and ends with Lawrence of Arabia, whereas part of the fun of the show was the in-the-know details about Manhattan.
Even leaving aside the question of why anyone would go on holiday to Abu Dhabi, everyone who has ever watched a TV show knows that the first rule is: Or have both been so blinded by the success of the show that they have lost sight of its original appeal? This rule was repeatedly proven in the TV series of Sex and the City as the weakest episodes always involved the women leaving New York two forays to California, one to Atlantic City and it is roundly proven here because the film-makers' knowledge of the Middle East begins and ends with Lawrence of Arabia, whereas part of the fun of the show was the in-the-know details about Manhattan. There is a whole episode about the women's difficulty in accepting Charlotte's decision to quit her job when she marries, and boyfriends who don't take work seriously are seen as immature freeloaders. Sorry, I think I just burned my fingers while retrieving my bra from the fire. Ultimately, both Helen Fielding and Sarah Jessica Parker killed their own franchises, and what's really depressing about this is that it suggests the default position for movies and books about women, for women, is to show them as marriage-obsessed morons. Simple comparisons between the films and the show give a hint of the answer. All Middle Eastern men are shot in a sparkly light with jingly jangly music just in case you didn't get that these dusky people are exotic and different. That's right, two gay characters who always hated each other in the show but now get married because, well, they're both gay. But the films have ruined them for me. The answer from this Friday, when SATC 2 opens, looks set to being in the affirmative and I warn you now, this article will be full of spoilers, spoilers of both the film and your memories of the show. Ditto Samantha as a PR. Even Carrie, who works as a newspaper columnist, a job I can personally assure you is not physically taxing, derives real satisfaction from her work, to the point that her willingness to quit it for her Russian boyfriend in the last series is an ominous sign. Did they just never get it? It's like being lobotomised with a pink teaspoon. In the films the message is women want a ring at all self-abasing costs; in the show, Carrie rejected Aidan, who was perfect on so many levels, because she couldn't, no matter how hard she tried, bring herself to marry him. And, yes, there was sex and shopping. Yes, there were stupid puns although I maintain that Carrie's response to Big when he said he was moving to California because he was tired — "If you're tired you take a napa, you don't move to Napa" — is pretty funny. As Carrie herself would have once said — before she became the demented harpy she was init, one whose response to having been jilted at the altar was: But unlike in the films, that's not all there was, and that wasn't all the characters cared about. But the truth is, the show was fantastic: This has been corrected. But now, treacherously, the films confirm all the worst and wrong assumptions men, mainly made about the show and its largely female audience. In the show, we repeatedly see Miranda working in her office as a partner in a law firm and, yes, the job is hard and time-consuming but she loves it and her success is a badge of pride. The death of Sex and the City is not just a shame for fans, but for all women with higher expectations of movies about women than a compendium of cliches from the Daily Mail. The difference between how the women's jobs are portrayed in the TV show and the films is perhaps the best example of how low the latter have sunk. A woman can love fashion without looking and behaving like an international call girl.
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